Drawings

Rimurginazione, 2024/oil stick on paper 50x70 cm
Untitled, 2025/ oil stick and pencil on paper 30x40 cm
Sketchbook, oil stick and pencil on paper
Sketchbook, oil stick and pencil on paper
Sketchbook, oil stick and pencil on paper
Sketchbook, oil stick and pencil on paper
Sketchbook, oil stick and pencil on paper
Sketchbook, oil stick and pencil on paper
Sketchbook, oil stick and pencil on paper
Sketchbook, oil stick and pencil on paper
Sketchbook, oil stick and pencil on paper
Malatesta, 2024/ oil stick on paper 30x40 cm
In her abstract works, Alessia Costanza Senatore opens a raw and sacred space where instinct reclaims its voice and the rational mind is gently silenced. Trained as a civil engineer, she abandoned linear structures in favor of a visual language rooted in emotion, memory, and the need for liberation. Her practice began as a quiet revolt against inner violence -a way to unlearn self-judgment and reconnect with the intuitive self, the child who once made marks without fear of error.

Her paintings, often composed with oil pastels and layered textures, oscillate between chaos and stillness. They do not seek resolution; instead, they insist on presence. There is no plan, only listening - to gesture, to color, to what wants to emerge in that moment. Her forms echo unconscious landscapes, inner architectures, and sometimes, hybrid creatures that inhabit a dreamlike threshold between the personal and the archetypal.

This is not abstraction as style — it is abstraction as survival. As meditation. As a deep, ritualized practice of healing. Each piece becomes a container for vulnerability, a negotiation between control and surrender.

Her work invites us to witness this fragile tension - not as spectators, but as cohabitants of the same inner terrain.



Le
Gusa Baje

Curated
Combo Torino29.10 - 03.11.2024
Paolo Ciregia 
Andrea Polichetti -Folgore-
VVXXII
Sara Dresti  -Dalla parte dei vivi-
Sara Dresti  -Dalla parte dei vivi-
Andrea Polichetti -Folgore-
Andrea Polichetti -Untitle / oil on raw juta canvas frameless 200x300x5 cm-
Emanuele Resce -Zarathustra Desorder-
Silvia Piantini -To be ready-
VVXXII
VVXXII
VVXXII
VVXXII
VVXXII
A.  Costanza S. -Malatesta/ oil stick on paper 30x40 cm-
Silvia Piantini -To be ready-
Andrea Polichetti -Folgore, 2024 / sculptur-
Oscar B. Morgan - Tangled, 2023 / oil on canvas 40x40 cm-
Co-curated with Federica Franceschini, Le Gusa Baje was a group exhibition featuring eleven artists, held at Combo Torino. 
The title draws from the secret code once used by the hemp workers od Crissolo, a village at the foot of Monviso. The exhibition began in two ground floor rooms and continued upward through the building’s old fire station tower, now a private loft. This vertical, meandering path was conceived to disorient, echoing the show’s exploration of instinct, ambiguity, and the invisible threads that connect the artists’s work. 

Photography by Alexia Colombo

“Le Gusa Baje evokes an ancient sound, a forgotten dialect, the secret code of the hemp workers from Crissolo, a village nestled at the foot of Monviso. In this collective exhibition, eleven artists engage in a silent dialogue, recognizing one another through an intangible reflection: the nocturnal shimmer in the eyes of the Gusa, the wolf. Here, no manifesto or single vision prevails; the thread linking these artists is subterranean. Like a silent, almost instinctual call, the works reveal themselves ambiguously, denying the ease of coherence.

Baje suggests a glimmer, perhaps intuition to pursue or a fleeting mirage, a lapse where a word fails its conscious intent. The exhibition journey began on the ground floor, then proceeds in the opposite direction, toward a tower that rises to the third floor, once the heart of Porta Palazzo's old fire station, now a private loft, an exclusive enclave.

This wandering path was designed to evoke a sense of disorientation in the visitor.”

Photo




Alessia Costanza Senatore is an emerging visual artist and curator based between Berlin and Turin. After graduating in Building Engineering from the Politecnico di Torino, she began a creative journey that gradually took shape through photography, drawing, painting, and installation. Photography serves as an intuitive form of visual note-taking, a personal archive of perceptions. Drawing and painting - initially abstract — emerged as gestures of emotional freedom, born from a desire to create without judgment.

In 2024, she curated the group exhibition Le Gusa Baje at Combo Torino, selecting eleven artists and designing a site-specific path that unfolded vertically through the building's former fire tower. The project explored instinct, ambiguity, and the invisible threads connecting the artists' works.

She also founded Itaca Storie, a temporary cultural space in Calabria designed as a free and open gathering place, hosting independent publishing, archival garments, vinyl records, and collective listening.
Her visual research is in constant evolution and focuses on themes such as disorientation, emotional suspension, uncertain identity, and the relationship between urban space and the unconscious. Through experimental practices and open-ended processes, she explores the potential of vulnerability as a shared language
©Alessia Costanza Senatore